TY  - GEN
TY  - GEN
T1  - Financing music in Europe
T2  - Speculum musicae
A2  - Jardin, Étienne, 1980- toimittaja
LA  - eng
LA  - fra
LA  - ita
PP  - Turnhout
PB  - Brepols
YR  - 2022
UL  - https://kansalliskirjasto.finna.fi/Record/fikka.5623725
AB  - The way in which music was financed from the 18th to the early 20th centuries has usually been depicted as a slow transition from private investment (or patronage) to more public forms of financial support. In particular, the later 18th and earlier 19th centuries marked fundamental changes in European life with the development of new technologies and expanding market economies. Composers and musicians, no longer bound by service to a court or a patron, were fully integrated into the musical market, and new categories emerged, such as theatre impresarios and the artistic agent. During the second half of the 19th century, the concept of a career as a concert musician began to take shape concurrently with the second Industrial Revolution. This book investigates the various aspects of financing the music world -- in court, on lyrical stages, for concerts, or even music schools -- and ask the question: did the provenance of funding and the funder's identity have an impact on music itself?
SN  - 978-2-503-60289-9 kovakantinen
SN  - 2503602894
KW  - 1700-luku
KW  - 1800-luku
KW  - 1900-luku
KW  - Music trade : Europe : History : 18th century.
KW  - Music trade : Europe : History : 19th century.
KW  - Music trade : Europe : History : 20th century.
KW  - Music trade : United States : History : 19th century.
KW  - Music trade : United States : History : 20th century.
KW  - Music : Economic aspects : History.
KW  - musiikki
KW  - musiikkiala
KW  - historia
KW  - rahoitus
KW  - Eurooppa
ER  -