TY  - GEN
TY  - GEN
T1  - When opera meets film
T2  - Cambridge studies in opera
A1  - Citron, Marcia J.
LA  - eng
PP  - Cambridge ; New York
PB  - Cambridge University Press
YR  - 2010
UL  - https://kansalliskirjasto.finna.fi/Record/fikka.2254787
AB  - "Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Ceremonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films"--
SN  - 0521895758
SN  - 9780521895750
KW  - Motion pictures and opera.
KW  - Musical films : History and criticism.
KW  - Opera in motion pictures.
KW  - elokuvataide
KW  - historia
KW  - musiikkielokuvat
KW  - oopperataide
ER  -